Art of the Orient

ART OF THE ORIENT 2022, Vol. 11

Vol. 11, 2022 – South Asian Art

Contents: Agnieszka Staszczyk, The Abhaya Gesture in Indian Art. Visual Means to Invoke Divine Protection; Dorota Kamińska-Jones, The importance of the body in Indian culture and selected issues regarding its manifestation in art; Patrick Felix Krüger, Imagine the Divive. The Depiction of Gods and Deified Beings in Illustration of Kalpasūtra Manuscripts from Western India; Savita Kumari, Sihr ul Bayan: Avadh Poetry in Delhi Painting (An imperial later Mughal manuscript from the National Museum, New Delhi); Ulf Jäger, Swords and Daggers on the Wallpaintings in Kucha in the 1st and 2nd Indo-Iranian style and its Significance for Dating; Nikita Rathore, Representation and Significance of Animals and Birds in Temple Art: A Case Study of Paramara Temples; Roshini Roy Festus, Glimpses into the history, design and construction of St. Andrew’s Kirk, Madras; Magdalena Guziejko, Revising the tiger. The case of the instrument of Tipu Sultan in the Victoria and Albert Museum and the discussion on contested heritage; Zuzanna Rozwadowska, Between mind and soul – pustaha manuscripts in Batak society. Concerning the collection of Batak manuscripts – part I; Anna Dzierżyc-Horniak, Nomad and shaman, flags and torremonto. Arahmaiani Feisal’s artistic practise from the perspective of Joseph Beuys’ social sculpture“.

Polish Institute of World Art Studies & Wydawnictwo Adam Marszałek, Toruń 2022 ISSN 2299-811-X (200 s.)

ART OF THE ORIENT 2021, Vol. 10

Vol. 10, 2021 – Animal Motifs in the Art of the Orient, ed. Bogna Łakomska

Contens: Introduction; Aleksandra Cieśliczka, The boundary between the art and product. On the meaning and form of kōgei in the past and present; Katarzyna Michalewicz, Chinese and Japanese characters in selected Polish mass, popular, orientalist and religious magazines published in the 1930s; Dorota Kamińska-Jones, Indian woman between ‘new’ tradition and ‘old’ patriarchy. Bengali painting in the service of nationalism; Magdalena Furmanik-Kowalska, Culture Trouble: The Significance of Cultural Context in an Art Historian’s Research on Chinese Contemporary Art; Maciej Szatkowski, Hanna Kupś, Mao Zedong’s Bakhtinian laughter: The Chinese pop avant-garde and its origins; Bogna Łakomska Animal figures inspirations in contemporary Chinese art.

Polish Institute of World Art Studies & Wydawnictwo Adam Marszałek, Toruń 2021 ISSN 2299-811-X (104 s.)

T. 9 – Animal motifs in the art of the Orient, BOGNA ŁAKOMSKA (ed.)

Contents: Introduction; BOGNA ŁAKOMSKA, The meaning of animal motifs in Neolithic China based on examples of jade figurines and shell mosaics; AGNIESZKA STASZCZYK, Goat-headed deities in ancient Indian sculpture; DOROTA KAMIŃSKA, Multiple roles of dogs in India – culture, art and the colonial context; ZUZANNA KRZYSZTOFIK, Animal motifs representing sipjangsaeng (longevity) and samgang oryun (basic virtues of Neo-Confucian social ethics) in the furniture and decor of a traditional Korean house; KATARZYNA ZAPOLSKA, Confucian values contained in representations of birds on Chinese fabrics during the Qing Dynasty; MONIKA JANKIEWICZ-BRZOSTOWSKA, Depictions of Animals in the Satirical War Prints of Kobayashi Kiyochika; MAGDALENA FURMANIK, Disgust or fascination? Insects in works of contemporary East Asian artists.

Polish Institute of World Art Studies & Wydawnictwo Adam Marszałek, Toruń 2020 ISSN 2299-811X (172 pp.)

T. 8 – Art and culture of the East and South Asia, BOGNA ŁAKOMSKA (ed.)

Contents: BOGNA ŁAKOMSKA, Introduction; Zhou Jia, The study of Yangliuqing New Year Picture; MONIKA JANKIEWICZ-BRZOSTOWSKA, Meiji Woodblock Prints by Utagawa Kokunimasa in the collection of the National Maritime Museum in Gdańsk: KATARZYNA KULPIŃSKA, Japanese pacifist and ecological posters U.G. Satō and others: AMELIA MACIOSZEK, Negotiating Appropriation – Later Safavid Adaptations of Chinese Blue-and-white Porcelain; BOGNA ŁAKOMSKA, The significance of Gegu yaolun 格古要論 – a 14th century antiquarian guide for the development of China’s knowledge and material culture; ZUZANNA KRZYSZTOFIK, The traditional Korean house hanok as a reflection of the family hierarchy; MARIANNA LIS, The Art of Wayang; JOANNA WACŁAWEK, Landscape in the light of regaining Independence Reflectionson the relationships between elements of commemorative architecture and Hindu-Buddhist motifs in the art of Central Java.

Polish Institute of World Art Studies & Wydawnictwo Adam Marszałek, Toruń 2019; ISSN 2299-811X (174 pp.)

Vol. 7 – Art and Religions in Pre-Islamic Central Asia, JERZY MALINOWSKI, BOGNA ŁAKOMSKA (eds.)

Contents: Introduction; KENNETH LYMER GRIFFINS, Myths and Religion – a review of the archaeological evidence from ancient Greece and the early nomads of Central Asia; ROBERT SCHULZ, Dionysus Between Sāsānian Iran and Roman Allusions; MIKHAIL TREISTER, Hellenistic Phalerae from the Burials of the Nomads of Asian Sarmatia; MALAHAT FARAJOVA, Reconstruction of the archaeological landscape of the Western Shore of the Caspian Sea at the end of Upper Pleistocene and Holocene; ANNA AUGUSTINOVÁ Ibexes on black stones: new petroglyphs in Surkhandarya (South Uzbekistan); IRINA SHVETS, On the interpretation of ‘sun-ray head’ figures as shamanic in the Rock Art of Central Asia; MARINA KILUNOVSKAYA, Subject compositions in Tuvan rock art; VIKTOR NOVOZHENOV, MARINA BEDELBAYEVA, Figurative Monuments and Rock Art traditions of the Kazakh Steppes; SATOMI HIYAMA, ROBERT ARLT, The discovery of two Stucco Heads of the Vidūṣaka in Gandharan Art; MONIKA ZIN, Some Details from the Representations of the Parinirvāṇa Cycle in the art of Gandhara and Kucha: The Iconography of the Wandering Ascetics (Parivrājaka, Nirgrantha and Ājīvika); PIOTR BALCEROWICZ, Pre-Islamic art of Afghanistan and Pakistan. A survey of research interest.

Polish Institute of World Art Studies & Wydawnictwo Adam Marszałek, Toruń 2018 (202 pp.); ISSN 2299-811X

Vol. 6 – BEATA BIEDROŃSKA-SŁOTA, KAROLINA KRZYWICKA, BOGNA ŁAKOMSKA AND BOGUSŁAW R. ZAGÓRSKI (eds.)

Contents: JERZY MALINOWSKI, BOGNA ŁAKOMSKA, Introduction; AKIN TUNCER, Eurasian decorative animal features of ‘the Little Metropolis Church of Athens’; SEVGI PARLAK, A typological evaluation of arrow slits among elements of military architecture in the medieval period; AIDA SMAILBEGOVIĆ, Infinite travel of the soul to the Sacred City and the Luminous City: visual depictions of Mecca and Medina in Dalā’il al-Hayrāt; FATIH ELCİL, Benlizâde Madrasah and its place in Ottoman architecture; JULIA KRAJCARZ, Orientalism in the Orient – elements of the Moorish style in the sacred Muslim buildings of Istanbul; TAREK EL-AKKAD, The decline of Cairo under the Ottomans; SWIETŁANA CZERWONNAJA, Between Kraków and Istanbul: the art and architecture of the Crimean Khanate as the connecting link between Ottoman and European culture; NURIYA AKCHURINA-MUFTIEVA, The Islamic tradition of building water fountains in the Crimea; KATARZYNA WARMIŃSKA, Polish and Lithuanian Tatars. One history and two stories; PIOTR TAFIŁOWSKI, The views of Erasmus of Rotterdam and his Polish followers on war against the Turks; ZÜLEYHA USTAOĞLU, Treaties in historical studies – the 1607 trade treaty between the Ottoman Empire and Poland; SABINE JAGODZINSKI, European and Exotic – Jan III Sobieski’s commemorative and representative strategies towards Polish-Ottoman relations; BEATA BIEDROŃSKA-SŁOTA, Ottoman tent from Prince Czartoryski’s collection – a new look at an old tradition; HATICE ADIGÜZEL, In search of diplomatic gifts – on a group of 18th century Polish items of porcelain in the Topkapı Palace collection; V. BELGIN DEMİRSAR ARLI, ŞENNUR KAYA, An evaluation of the architecture, culture and history of the Polonezköy/Adampol settlement in Istanbul; ELVAN TOPALLI, Kazimierz Pochwalski’s sketchbook of Eastern travels; BOGUSŁAW R. ZAGÓRSKI, Jean (Jan) Lambert-Rucki’s artistic vision of the Ottoman women’s world of Selânik; PIOTR TAFIŁOWSKI, The 16th to the 18th century printed Turcica preserved in Polish collections; PIOTR HORDYŃSKI, Diplomats, etiquette, ceremonies – the unpublished letters of Łazarz Hordyński from the Ottoman Empire circa 1790; WOJCIECH ZABŁOCKI, My inspirations from traditional Syrian architecture.

Polish Institute of World Art Studies & Wydawnictwo Adam Marszałek, Toruń 2017; ISSN 2299-811X (258 pp.)

Vol. 5 – DOROTA KAMIŃSKA-JONES & AGNIESZKA STASZCZYK (eds.)

Contents: From the Editor (JERZY MALINOWSKI); M. KRZYSZTOF BYRSKI, The Emotional Dimension of the ‘Nature of the World (Lokasya Svabhāva)’ and the Meaning of Saḥṛdaya. ‘Avadhakiśoragurucaraṇasmṛtiai Samarpyate’; ADALBERT J. GAIL, Triple Temples in India, Nepal and Cambodia. A Contribution to the Question of Inclusivism; VINAY KUMAR GUPTA, MONIKA ZIN, Parinirvāṇa Representations in the Art of Mathura: A Study Based on the Discovery of a Unique Parinirvāṇa Stele from the Varāha Temple of Mathura; KANIKA KISHORE, The Āyāgapaṭ as of Mathura; CHANDREYI BASU, An Enigmatic Female Ascetic Figure from Mathura; MUHAMMAD HAMEED, Discovering Buddhism in Southern Punjab: A Study of Vanishing Buddhist Heritage at Sui Vihāra; KIRSTEN SOUTHWORTH, The Travels of Two Marine Beasts from the Mediterranean to Gandhara – A Transfer of Form and Meaning?; MARZENNA CZERNIAK-DROŻDŻOWICZ, ANNA ŚLĄCZKA, Cōḻa Bronzes in the Context of the History and Culture of Tamil Nadu; SAMA HAQ, The Religious and Social Signifi cance of Chenrezig in Vajrāyana Buddhism. A Study of Select Tibetan Thangkas; HANNA URBAŃSKA, A Concept of Comic Dance as Presented in Kāḷi Nāṭakam of Narayana Guru in the Light of His Later Philosophical Works; Anupa Pande, Rāgiṇī Bhairavī. A Case Study of Select rāgacitras from the Miniature Paintings of Mewar (16th–17th Century C.E.); DOROTA KAMIŃSKA-JONES, Art and Gender in the Contact Zone – European Women and Indian Miniature Painting; SAVITA KUMARI, Art and Politics: British Patronage in Delhi (1803–1857); MAŁGORZATA REINHARD-CHLANDA, Kira Banasińska – Seventy Years in India. From Diplomacy to Kaybee; AGNIESZKA STASZCZYK, Inspirations of Traditional Hindu Temple Architecture in the Birla Mandir in Renukoot; ANNA RYNKOWSKA-SACHSE, Culturally Sensitive Contemporary Buildings in India.

Dom Wydawniczy DUET and Wydawnictwo Adam Marszałek, Toruń 2016; ISSN 2299-811X (273 pp.)

Vol. 4 – BOGNA ŁAKOMSKA (ed.)

Contents: Professor Maria Roman Sławiński [In memoriam] (JOANNA WASILEWSKA); From the Editor (BOGNA ŁAKOMSKA), TIANSHU ZHU, Images of Monks with the Uṣṇīṣa – from the Kucha and Turfan Regions; YI WANG, Romantic Encounter and Urban Space; BOGNA ŁAKOMSKA, Su Shi 蘇軾 (1037 – 1101 AD) as an amateur of art collecting; MAURYCY GAWARSKI, Beijing‒Theatre‒Tea The Habit of Tea Drinking in Theatres of Beijing from the 17th Century to the 1950s; WERONIKA LISZEWSKA, Problems regarding the re-mounting and restoration of Chinese hanging scrolls – Local Traditions versus Globalisation; KATARZYNA ZAPOLSKA, Chinese Embroidered Textiles from the Period between the 18^th and the 20th Centuries in the Collection of the National Museum in Warsaw; JERZY MALINOWSKI, Polish-Chinese Art Relations in the 19th and 20th Century; ANNA IZABELA KRÓL, Chinese Painting from the May Fourth Movement to the first National Art Exhibition (1919 – 1929); BO SEUNG KANG, North Korean Propaganda Arts; MAGDALENA FURMANIK-KOWALSKA, Culture and Globalisation in Wang Qingsong’s Photography.

Dom Wydawniczy DUET and Wydawnictwo Adam Marszałek, Toruń 2015; ISSN 2299-811X (219 pp.)

Vol. 3 – DOROTA KAMIŃSKA-JONES (ed.)

Contents: JERZY MALINOWSKI From the Editor; BARBARA GMIŃSKA-NOWAK Newar architecture.The typology of the Malla period Monuments of the Kathmandu Valley; EDWARD KAJDAŃSKI Gyanyin goddess: Two bronze figures – two different stories; BOGNA ŁAKOMSKA The great era of art collecting in China. Emperor Taizong and his followers; KATARZYNA ZAPOLSKA Mandarin squares as a form of rank badge and decoration of Chinese robes; KRZYSZTOF MORAWSKI Islamic ornamental motifs in Indonesia; MACIEJ TYBUS Pagans in East Asia in early modern Dutch sources; AGNIESZKA KASPRZAK Polish artist at the service of Maharajas; JOANNA KUCHARZEWSKA Icons of contemporary architecture in Beijing; LIDIA GERC The Central Embassy in Bangkok A new icon of the West in the East?; ANNA RYNKOWSKA-SACHSE The cooperation of well-known architects, architecture students and local communities in the process of architectural creation in different cultural environments. Examples from Asia; PAWEŁ PACHCIAREK Mindfulness art of Yayoi Kusama; DOMINIKA ŁUKOSZEK ‘Muslim Barbie’ fights for values; MARIANNA LIS Visual art in Indonesia. Introduction; HANNA SOTKIEWICZ Amulets and talismans of the Central Sahara – Tuareg art in context of magical and mystical beliefs; HANNA RUBINKOWSKA-ANIOŁ Presentation of Hayle Sillasie in photographs from imperial era Ethiopian books; ANETA PAWŁOWSKA South African art – twenty years since the advent of the post-apartheid era

Wydawnictwo Adam Marszałek / Adam Marszałek Publishing House, Toruń 2014; ISSN 2299-811X ISBN 978-83-64545-06-1 (s. 281)

Vol. 2 – DOROTA KAMIŃSKA-JONES (ed.)

Contents: JERZY MALINOWSKI, From the Editor; ANCIENT ART: AGNIESZKA LIC, Functions of spolia in Umayyad Architecture; BOGNA ŁAKOMSKA, Ouyang Xiu 歐陽修 (1007–1072) and his collection of stone inscriptions; KRZYSZTOF MORAWSKI, Ornamental motifs of Indian origin in Indonesia; DANUTA ZASŁAWSKA, Japonsche rocken as an expression of fashion depicted in painting in the Golden Age of the Dutch East India Company; ALEKSANDRA GÖRLICH, Historical subjects represented in the Feliks Jasieński collection of Japanese woodblock-prints; MARTA KURCZYŃSKA, Dragons, gods, demons – ojime – symbolic content hidden in miniature form; ERIKA KRZYCZKOWSKA-ROMAN, Paper Sea Route: The influence of Chinese culture on the formation of elements of Mexican folk art accompanying various celebrations. MODERN AND CONTEMPORARY ART: TATIANA LEBEDEVA, Development of the Russian School of Art in the context of emigration to China in the first half of the 20^thcentury; CHEN CHIYU, The combination of Chinese and Western influences on Chinese modern ink painting with Lin Fengmian, Zhang Ding And Wu Guanzhong as examples; MU RUIFENG, Chinese contemporary realist oil painting; ZHAUKHAR M. APPAYEVA, Balkarian professional fine arts; MARIANNA LIS, Empowering women through theater in Indonesia.

Adam Marszałek Publishing House, Toruń 2013; ISSN 2299-811X ISBN 978-83-64545-06-1 (240 p.)

Vol. I – DOROTA KAMIŃSKA (ed.)

Spis treści / Contents: JERZY MALINOWSKI, Przedmowa / From the editor; KATARZYNA KLEIBER, Problem wpływu – jak badać podobieństwa wizualne między sztuką Zachodu i Wschodu? / The Problem of Influence – How to Assess the Visual Similarities Between the Art of the West and East?; BOGNA ŁAKOMSKA The Origins of Collecting in China. Underground Jade Treasures as a Reflection of Ancient Collecting / Początki kolekcjonerstwa w Chinach. Zgromadzone pod ziemią żady jako odzwierciedlenie starożytnego kolekcjonerstwa; RYSZARDA MARIA BULAS, Tkanina z Maszanu (Chiny, V–III w. p.n.e.) a celtycki system ornamentalny / Ireland and China. Textile from Mashan (fifth to third century BC, China) and the Celtic Repertoire of Ornamentation; JOANNA KUCHARZEWSKA, Architektoniczny eksperyment u podnóża Chińskiego Muru / Architectural Experiment at the Foot of the Great Wall of China; KATARZYNA PACZUSKA, Shini-e, japońska forma upamiętnienia wybitnych artystów / Shini-e, the Japanese Way of Commemorating Great Artists; JOANNA ZAREMBA-PENK, Baśnie i bajki w japońskich komiksach / Fables and Fairy Tales in Pop Culture Taken from the Example of Japanese Comics; DOROTA KAMIŃSKA-JONES, Tradycja u progu nowoczesności. Kobiety w malarstwie Kalighat / Tradition at the Threshold of Modernity. Women in Kalighat Painting; ELŻBIETA WALTER, Rabindranatah Tagore – poeta czy malarz? / Rabindranatah Tagore – Poet or Painter?; MAGDALENA GINTER-FROŁOW, “Księga Papugi” Nechszebiego ze zbiorów Biblioteki Uniwersytetu Wrocławskiego / Tuti-Nameh – Tales of a Parrot by Nahsabi from the Collection of the UniversityLibrary in Wrocław; ALEKSANDRA WIKTORIA MARTINES, Przedmioty kultu lamaiskiego stosowane w obrzędzie Dugżuuba / Ritual Lamaist Items Used in the Dugzhuuba Rite by the Buddhists of Buryatia; KRZYSZTOF MORAWSKI, O roli krisów w kulturze Indonezji i teoriach dotyczących ich powstania / On the Role of Krises in Indonesian Culture and Theories of Their Beginnings; KAROLINA KRZYWICKA, Tradycyjna ceramika uzbecka i tadżycka ze zbiorów Muzeum Azji i Pacyfiku w Warszawie / Traditional Uzbek and Tajik Ceramics from the Collection of the Asia and Pacific Museum in Warsaw; KAROLINA WIŚNIEWSKA [MROZIEWICZ], Ornitomorficzne miniatury marginesowe ormiańskich Ewangeliarzy przechowywanych w Bibliotece Narodowej w Warszawie / The Ornithomorphic System of Marginal Illuminations of Armenian Gospel Books from the Polish National Library in Warsaw; EWA MARCINKOWSKA, Świadectwa obecności artystycznej Imperium Osmańskiego na Węgrzech / Evidence of the Artistic Presence of the Ottoman Empire in Hungary.

Adam Marszałek Publishing House, Toruń 2012; ISBN 978-83-7780-570-1; ISSN 2299-811X (260 p.)

Sztuka Orientu / The Art of the Orient: Studia nad sztuką Azji / Studies on the Art of Asia, JERZY MALINOWSKI & JOANNA WASILEWSKA (ed.)

Spis treści / Contents: JERZY MALINOWSKI, Przedmowa / Preface; AGNIESZKA STASZCZYK, Ikonografia Wisznu w sztuce hinduskiej – geneza i typy przedstawień / The Vishnu iconography in Hindu art – genesis of the image and its variations; MARCIN JACOBY, Natura a „dawni mistrzowie” w chińskiej teorii malarstwa / The role of nature in a paintner’s education and artistic creativity in China; KATARZYNA LEWANDOWSKA-MICHALSKA, Symbolika wadżry i ghanty w sztuce buddyjskiej tantry / The symbolism of the Vajra and Ghanta in the art of Buddhist tantra; DOROTA KAMIŃSKA, Portrety władców Mewaru / Royal portraits in the Mewar State; DANIEL PRÓCHNIAK, Chaczkary – armeńskie krzyże kamienne. Problem genezy – podstawowe typy – funkcja / Khatchkars – Armenian stone croses. Function – typological evolution – iconography – origin; JERZY MALINOWSKI, Malarstwo japońskiego modernizmu 1912–1929 / Paintings of Japanese Modernism 1912–1929; BOGNA ŁAKOMSKA, Modernizm i narodowa tradycja I – O rzeźbach Tajwańczyka Yu Yu Yanga / Modern art and national tradition I – Sculptures of Taiwanese artists Yu Yu Yang; JOANNA KUCHARZEWSKA, Modernizm i narodowa tradycja II – O twórczości południowokoreańskiego architekta Seung H-Sanga / Modern art and national tradition II – On the work of South Korean architect Seung H-Sang; JOANNA ZAREMBA, Manga. Komiksy grupy CLAMP z lat 1989–2000 / Manga. Comics of the Group CLAMP, 1989–2000; IRENA PUZANOWA, Współczesna sztuka Kazachstanu a świat nomadów 1991–2001 / Contemporary art of Kazakhstan versus the world of Nomads 1991–2000; JOANNA WASILEWSKA: Kronika za 2006 rok / Annals 2006

Adam Marszałek Publishing House Toruń 2008; ISBN 978-83-7441955-0 (250 s., il. 287 na CD / on CD)

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